Where Is The Fear Of Horror Films - 1913 Words

Where is the fear in horror films? In the following essay I will study and write about the contrast between sound and the moving image in horror films and how the use of sound can create intense feelings and unknown situations that the mind itself. I will look at the low budget, found footage, psychological horror film The Blair Witch (1999) because of it s uncommon use of techniques used in a film and In Absentia because of it s emotional efficacy. Ambient music and sound effects enhance the diegetic and non-diegetic sounds, The difficult thing to do while analyzing the non-diegetic sounds in horror films will be understanding the use of recorded and synthesized sound to create a fully immersive scenario that the audience can be†¦show more content†¦These are still very popular in films today, not because we need the audio clues, but because they are such familiar shorthand for this clichà ©d but still exciting situation (Kelleghan, F, 1996) The sounds in a film help categorize a film in to genre and franchises so that the audience can recognize them easier, usually a specific melody and tone is used so that marketing campaigns are more effective when adverts are played on TV. The Blair Witch (1999) had a more interesting and psychological approach to marketing campaigns, it started with three missing students being put in a fake paper after they went into the woods to create a documentary for a university project. Clips of some of the found footage where passed about schools and colleges to build up talk about towns and cities. The Blair Witch The film is a cheaply made found footage psychological horror film that really grasps the mind and plays on childhood fears, buried traumas, paranoid suspicion. It is all filmed using handheld cameras and documents the journey of three students (Heather Donahue, Michael C. Williams and Joshua Leonard) exploring a forest supposedly haunted by a witch that used a man called Rustin Parr to kidnap eight children in the 1940 s, taking them to his basement and making one face a corner while he killed the other. Turning himself in to the police heShow MoreRelatedMovie Analysis : Film And Film870 Words   |  4 Pagesthe storylines of films and helps categorise them in order to be identified when people come to look for a film to maybe help determine whether you are going to like the film or not. Genre can set scenes in order for us to know what type of film we may be watching e.g.: if you were to be watching a horror film you would have spooky, dull and dark lighting. This would set the sc ene letting us know that this film will most likely be a horror film. Knowing the type of genre of the film you are watchingRead MoreA Compare and Contrast of Horror and Science Fiction/Fantasy Genres1777 Words   |  7 PagesThe good thing about films is that we not only have the opportunity to choose from a wide selection of different genres, but also compare them and understand their purpose in the world. The Horror genre has used the basic principles throughout time, and as a result, films of this type have not proven to be as timeless as another genre: Science Fiction/Fantasy. At first, these two genres might at times seem similar as they have at several occasions been blended together, but their basic, common themeRead MoreThe Red s Backbone And The Other s `` Tell Chilling Ghost Stories1365 Words   |  6 Pagesrose as one of the leading countries to dominate the horror film genre. Struggling under a brutal and confining dictatorship for much of the 20th century, Spanish ci nema took a while to come together. During the hard days of General Franco’s regime a series of horror films, such as The Living Dead at Manchester Morgue, a zombie classic, were produced, mainly for the English market. In the remaining years under Franco, hundreds of horror films were released, all of which were identified by their violenceRead MoreEssay about Apocalypse Now578 Words   |  3 PagesApocalypse Now This film, from 1979 was directed by Francis Ford Coppula and starred Martin Sheen (Capt. Willard) and Marlon Brando (Col. Kurtz). 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According to King, we are all insane by human nature, and are made up of â€Å"anticivilization emotions.† These emotions are integral parts of our personalities, and in order to stay healthy, they â€Å"demand periodic exercise.† But living in society has taught us to repress these emotions, which is why he arguesRead MoreSuspense : Horror Films Like Jaws ( 1975 ) And Psycho ( 1960 ) Psycho ) Essay1722 Words   |  7 Pagesfuels horror films. If the director was able to get you sitting on the edge of your seat, holding your breath, and waiting, they did their job. It is why people go and see n ew horror films. A lot of things factor into suspense in horror films, such as: plot, camera angles and shots, setting, and information the audience may already know, but nothing is as directly correlated to suspense as music and sound is. Sound is what makes a horror film scary. In the cases of some classic horror films like JawsRead MoreThe Evolution of Horror Films Essay1595 Words   |  7 Pagesterror are all just a few things to expect when watching a modern day horror film. What is horror? Horror can be defined as an intense feeling of fear, shock, or disgust. (Wilson) The description of horror is not very pleasant, but for some reason horror films are extremely popular. Why is this so? People are addicted to the synthetic feeling of being terrified. Modern day horror films are very different from the first horror films which date back to the late nineteenth century, but the goal of shockingRead MoreThe Realist Aesthetics Adopted By The Verite Horror Subgenre937 Words   |  4 Pagescontemporary film production. Film-makers today storyboard, shoot and edit their films in conjunction with the computer manipulation of images† (Price, 1996, pg.27). Since digital imaging technologies have changed the very nature of film production, it is important to understand and examine the wider effects these new modes of filmmaking have on spectators. With this in mind, the following essay argues that the realist aesthetics adopted by the verità © horror subgenre not only work to entice fear among audiences